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	<title>Comments on: 8-Part Story Structure: First Sequence</title>
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	<description>Official Portfolio of Brandon Karratti</description>
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		<title>By: Some Tools for Beginning Script Writing &#171; Warrens Zombie Movie</title>
		<link>http://karratti.com/2008/06/26/8-part-story-structure-first-sequence/#comment-631</link>
		<dc:creator><![CDATA[Some Tools for Beginning Script Writing &#171; Warrens Zombie Movie]]></dc:creator>
		<pubDate>Sun, 04 Dec 2011 20:02:39 +0000</pubDate>
		<guid isPermaLink="false">http://sounfocused.wordpress.com/?p=191#comment-631</guid>
		<description><![CDATA[[...] Eight Part Story Structure (plot structure) [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Eight Part Story Structure (plot structure) [...]</p>
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		<title>By: Karratti</title>
		<link>http://karratti.com/2008/06/26/8-part-story-structure-first-sequence/#comment-367</link>
		<dc:creator><![CDATA[Karratti]]></dc:creator>
		<pubDate>Wed, 28 Apr 2010 04:15:02 +0000</pubDate>
		<guid isPermaLink="false">http://sounfocused.wordpress.com/?p=191#comment-367</guid>
		<description><![CDATA[I read through the article twice trying to figure out what you were referring to, and I think I&#039;ve finally got it. The phrase &quot;Our New Ordinary World&quot; doesn&#039;t refer to the new homeostasis.  Instead, I&#039;m referring to the fact that, for the audience, you need to show them the paradigm that they&#039;re going to be experiencing this movie from.

While it&#039;s absolutely the original/current homeostasis for the characters of the story, it&#039;s not necessarily the homeostasis of the viewing audience.

While in our lives, lighting bolt wizards, gun-toting super-criminals and transforming robots are not exactly an everyday occurrence, those are actually fairly common parts of modern cinema, and for the audience, this is the &quot;new&quot; homeostasis that they need to understand for the film to make sense.

But I appreciate your concern for helping me to get this &quot;right.&quot;]]></description>
		<content:encoded><![CDATA[<p>I read through the article twice trying to figure out what you were referring to, and I think I&#8217;ve finally got it. The phrase &#8220;Our New Ordinary World&#8221; doesn&#8217;t refer to the new homeostasis.  Instead, I&#8217;m referring to the fact that, for the audience, you need to show them the paradigm that they&#8217;re going to be experiencing this movie from.</p>
<p>While it&#8217;s absolutely the original/current homeostasis for the characters of the story, it&#8217;s not necessarily the homeostasis of the viewing audience.</p>
<p>While in our lives, lighting bolt wizards, gun-toting super-criminals and transforming robots are not exactly an everyday occurrence, those are actually fairly common parts of modern cinema, and for the audience, this is the &#8220;new&#8221; homeostasis that they need to understand for the film to make sense.</p>
<p>But I appreciate your concern for helping me to get this &#8220;right.&#8221;</p>
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		<title>By: JG Sarantinos</title>
		<link>http://karratti.com/2008/06/26/8-part-story-structure-first-sequence/#comment-365</link>
		<dc:creator><![CDATA[JG Sarantinos]]></dc:creator>
		<pubDate>Tue, 27 Apr 2010 20:05:18 +0000</pubDate>
		<guid isPermaLink="false">http://sounfocused.wordpress.com/?p=191#comment-365</guid>
		<description><![CDATA[great summary of stroytelling sequences. However, the first sequence refers to the current or old homeostatis, not the new one, which is covered in the final sequence.]]></description>
		<content:encoded><![CDATA[<p>great summary of stroytelling sequences. However, the first sequence refers to the current or old homeostatis, not the new one, which is covered in the final sequence.</p>
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